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Vampire Cinema: The First One Hundred Years
Vampire Cinema: The First One Hundred Years
Vampire Cinema: The First One Hundred Years
Vampire Cinema: The First One Hundred Years
Vampire Cinema: The First One Hundred Years
Vampire Cinema: The First One Hundred Years
Vampire Cinema: The First One Hundred Years

REEL ART PRESS

Vampire Cinema: The First One Hundred Years

By Christopher Frayling (Author), Tony Nourmand (Editor)

Christopher Frayling (born 1946) is a recognized authority on Gothic fiction and horror movies.

This visual feast celebrates classic vampire cinema―mainstream and niche―through the many colorful ways in which the key films have been marketed and consumed.

F.W. Murnau's haunting film Nosferatu had its premiere in Berlin in March 1922. Bram Stoker's widow, Florence, tried hard to sue the production company for breach of copyright but had to settle in the end for a court order to destroy all prints and negatives. The film kept resurrecting, though, and is now considered the first, and one of the greatest, of all vampire movies―the founder of a dynasty of prints of darkness.

The bloodline has spread from Nosferatu to Hollywood's Dracula and progeny (1931–48); from Hammer's Dracula/Horror of Dracula and sequels (1958–74) to versions of Sheridan Le Fanu's story “Carmilla” and other lesbian vampires (1970–2020); from the bestselling novels 'Salem's Lot and Interview with the Vampire to vampires who have shed their capes, hereditary titles and period trappings to become assorted smalltown oddballs, addicts, delinquents, psychopaths, rednecks, fashionistas, gay icons, comedians and even comic-book heroes (1975–2022).

Hardcover / 271 pages / 9"x10.75"