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Black and white image back of a man's head with title 'glenn ligon: distinguishing  piss from rain writing and interviews'
An open book showing two printed interior pages with a black-and-white historical photograph on the left page and a text article titled 'Sound and Vision 2013' on the right page.
An open book showing a printed photograph on the left page of a man standing outdoors in a dark coat and hat, holding a snowball and with lines of them arranged on a red patterned rug in front of him. Text is visible on both sides of the page.
An open book showing a printed artwork or text panel on the left page with a dark textured background and red lettering, alongside printed text on the right page.
An open book showing printed text on the left page and a red artwork with black abstract marks on the right page, photographed against a light gray background.
An open book laid flat on a light gray background, showing two printed pages with a small inset photograph on the left page and body text on the right page.
$38.00

Hauser & Wirth Publishers

Glenn Ligon: Distinguishing Piss from Rain: Writings and Interviews

Text by Glenn Ligon, edited by James Hoff. Introduction by Thomas (T.) Jean Lax

This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s.

No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. 

 Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon’s status as one of the great chroniclers of our time.

Softcover / 6.5 x 9.5 / 400 pages

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