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Book cover of 'The Harlem Book of the Dead' with a sepia-toned photograph of a funeral scene.
Memorial scene with a casket, flowers, and people in a room.
Black and white photograph of four men in suits with text on a white background
A two-page spread from a book or album featuring sepia-toned vintage photographs with printed text below each image. The left page shows a dark interior scene with a bed and floral arrangements; the right page shows a baby holding a panda plush surrounded by flowers.
Vintage photograph of a woman lying in a casket with flowers, accompanied by text on the left.
A printed page with two columns of black text on a white background, titled 'Mourners & the Poising of the Dead,' with small page markers at the bottom.
Two sepia-toned classical paintings shown side by side on a white background, labeled page [32] and [33]. The left religious painting depicts a robed figure standing above a reclining figure in a dramatic, cloudy composition.
$24.00

Primary Information

The Harlem Book of the Dead

by James Van Der Zee (Photographer), Karla FC Holloway (Afterword), Camille Billops (Contributor), Owen Dodson (Contributor) 

Originally published in 1978, The Harlem Book of the Dead is a haunting and beautiful document of Black funerary traditions in Harlem, capturing the community's mourning rituals through the lens of one of the Harlem Renaissance's most celebrated photographers. The publication is the most complete record of Van Der Zee's funerary photographs, featuring over three dozen portraits by the artist, who meticulously composed the setting and the subjects before using his renowned darkroom and retouching skills to superimpose celestial figures, poetry, biblical scenes or portraits onto the images to compensate for lack of adornments, such as flowers, or to fulfill the requests of his subjects or their families.

These portraits are complemented and captioned by poems from Owen Dodson and a wide-ranging interview with Van Der Zee by the sculptor and filmmaker Camille Billops, who conceptualized and edited the publication. This facsimile edition reproduces the printing and specifications of the 1978 publication.

 The original foreword by Toni Morrison is included, and accompanied by a newly commissioned afterword by Karla FC Holloway, author of the canonical Passed On (2001).
James Van Der Zee (1886–1983) began working as a photographer in 1915, and by the following year had opened his photography studio on West 135th Street in Harlem. His images of Black New Yorkers, together with celebrities such as Langston Hughes, Joe Louis and Marcus Garvey, form an indelible corpus of images of the Harlem Renaissance.

Softcover / 8.9" x 10.4" / 104 pages

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