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Book cover titled 'women painting women' with a portrait of a woman in a blue dress standing next to a bicycle with sunflowers and a white picket fence in the background.
A framed painting shown on a white page spread. The artwork depicts a stylized portrait of a woman with dark skin, blue eyes, a gold necklace, and teal clothing, set against a red and black oval with a pale blue background by Faith Ringold.
Painting / collage by Micklene Thomas of a woman reclining on a floral-patterned couch with abstract designs in the background.
A painting by Kim Dingre titled 'Study for the Last supper at Fatty's', depicting a row of pink-cushioned bar stools with shoes and crumpled white fabric in a bar setting, shown with artist text on a white background.
Painting in surrealistic style, seated figure in a red room  with exaggerated feet and hands,  by Louise Bonnet.
Two page book spread showing three paintings by Somaya Critchlow: two smaller portraits on the left with text below, and one larger seated figure painting on the right. The layout is clean and balanced on a white background.
Two page spread showing a reproduction of Jenna Gribbon's painting 'Weenie Roast Wrestlers, 2019'. The page has a white left margin with the artist's name and title
Opened book spread of a woman reclining on a couch, painting by Hope Gangloff in blue tones with outlined figure
A two-page spread from the book featuring a black-and-white portrait of Kim Dingle on the left and a color photograph of an artist painting a large colorful mural on the right, with biographical text below each photo.
A two-page spread from the book featuring portraits and biographical text of Emma Amos and Njideka Akunyemi Crosby.
$29.95

DelMonico Books

Women Painting Women

Edited with text by Andrea Karnes, preface by Marla Price, text by Emma Amos, Faith Ringgold, Lorna Simpson

A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration.

Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their bodies, gestures and individuality—at the forefront.

Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.

Hardcover / 8 x 10.5 in. / 172 pages / 65 color.

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